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Hi-Fi+ sur le CAD GC-R Reference

"Connecting both digital and analogue components to the GC-R resulted in a really significant step up in performance"

But the biggest surprise still lay in wait, only emergingwhen I started to play with the QB8s and the parallelAC ground connection. Tying the distribution blocks, GC-Rand AC ground together proved a big no-no, with a splashyand disjointed musical result. The AC ground alone wasimpressively dynamic, planted and weighty, but connectingthe QB8s to the GC-R delivered almost all of the weight fromthe AC ground but with much better low-frequency definition,texture and articulation. More importantly, there was a vastimprovement in the sense of rhythmic and musical coherence,producing an immediately more engaging and communicativeperformance. Where I’d hoped the GC-R might offer analternative to a parallel AC ground for those who can’taccess one, it actually trumped the AC-based alternative (atleast in my situation) offering cleaner, more natural and moreenjoyable system performance – and by no small margin andacross all musical genres. This is no sonically subtle shift,no “bit more air” or “slightly crisper drum beats” change.This is fundamental to the structure, sense, intelligibility andenjoyment of the musical event. Since it arrived, the GC-R hasbeen an ever present in the ever-changing system in my mainlistening room – and given my druthers ever present is what itwould remain. If you still think that passive grounding solutionsare so much hokum, then you should hear the GC-R in action.It’s musical benefits are kind of hard to ignore!

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